“I pour a four in a liter, these n****s play follow the leader. It perfectly complements his style with these quirky flute synths that chirp up and down as he raps, The beat feels tailor-made for Stacy’s mischievous ways. Stacy Money and Captain Crunch collaborate on the track, “Zone,” and given the amount of times these two have collaborated in the past the chemistry here is undeniable. The project feels like this creative incubator curated, recorded, and of course presented by Captain Crunch. Given the range of artists that do make appearances here there are some major highlights. On almost every track you’ll be introduced to a collaboration not just between rappers, but between producers as well.
Frequent and past collaborators make appearances while even Jay Critch and his mentor Rich the Kid lend their verses to a track.īeyond Captain Crunch’s tried and true production, it is the range of collaborators that makes this tape such an interesting listen. On his trek through these soundscapes, Captain Crunch recruits a varied team of rappers to represent the underground.
Across nine tracks, Captain Crunch presents the listener with production that ranges from brightly colored and melodic, to woozy beats with synth timbres that sound like they were discovered on NASA’s latest mars mission. On his newest project, Beverly Killbillies (a fitting title for the Oklahoma native turned Los Angeles resident), that production tag couldn’t be more appropriate. Even if you’re unfamiliar with the name, chances are you’ve previously heard his producer tag, “Captain Crunch Presents,” as he has had beat placements in every corner of the underground. Producer Captain Crunch has been ever-present in the Soundcloud rap scene for the past three years or so.
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